Showing posts with label Oscar. Show all posts
Showing posts with label Oscar. Show all posts

Monday, February 26, 2007

Final scorecard

Wot's this, then? Ellen was at best "low-key" and at worst "tacky"? She did an awesome job hosting the Oscars! She was a delight every time she was onscreen. Her bits in the crowd were ten times better than Chris Rock's/Jon Stewart's shoehorned schtick was in the past two years. I have to say that Ellen was a high water mark for the ceremony, ranking amongst Steve Martin's and Billy Crystal's best efforts. Certainly, she kicked Whoopi's ass.

I had the awards mostly right, only losing my way on "The Departed" for Best Adapted Screenplay and Alan Arkin for Best Supporting Actor.

Arkin? What the shit?

Did anyone see this movie? He was in it for fifteen minutes. In that time he ate friend chicken, snorted heroin, growled, and died. Herloh!? Anyone out there? In a weak-ass flick, his might well have been the least rendered role of them all. But then again, me and Ken Watanabe are sick and tired of all things "Little Miss Sunshine."

Note to Laura Ziskin -- fewer montages in the first three hours, and mo' awards.

Saturday, February 24, 2007

Prognostication

People are saying the Gay Super Bowl is hard to handicap this year? Bullshit, I retort. Watch me ace this fucker:

Best Picture: The Departed

Best Director: Martin Scorsese

Best Actor: Forest Whitaker

Best Actress: Helen Mirren

Best Supporting Actor: Eddie Murphy

Best Supporting Actress: Jennifer Hudson

Best Original Screenplay: Little Miss Sunshine

Best Adapted Screenplay: Borat - Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan

Best Animated Film: Cars

Best Cinematography: Pan's Labyrinth

Unlike past years, the fields seem more locked-in than ever before. The so-called "wide open races" that people are predicting are a fantasy. In fact, the one race I'll say there could be haziness is Best Actor, because of the massive sympathy that Peter O'Toole will garner in this one.

Other than that, we can compare scorecards Monday morning. Good luck Ellen!

Monday, February 12, 2007

Interlude

Konichiwa! I am Ken Watanabe, an actor who you may recognize from such films as "Tampopo," "Batman Begins," "The Last Samurai," and the Oscar-nominated "Letters from Iwo Jima." It is great to be having an impact on the films of the United States, a place which has given such inspiration in my life. I love the films of America, from Gary Cooper and Clark Gable all the way up to Billy Wilder, Spike Lee, and Francis Ford Coppola. I attribute my own success in film to those first motion pictures I watched in the Niigata prefecture of my childhood -- the attraction was inescapable, and my destiny writ. I am now here doing what I have always dreamt of, this humble child of a working-class family in Japan.

All of this is prelude to the wonderment I'm filled with -- no wait, perhaps that is not the best word. My English is still very new. I mean to say, bewilderment over the Academy Award nomination of the recent motion picture "Little Miss Sunshine." This, I cannot understand. I have watched this film, as a screener given to me by the Academy, and all I can say is that if this is what makes an Oscar-worthy picture in the minds of voters perhaps they should wait for the sequel to "Dude, Where's My Car?" At least that holds up under the scrutiny of repeat viewings. I have started watching many American television programs ever since I purchased a home for myself in California, and while I enjoy thirty minutes of slapstick and broad humor as rendered by Charlie Sheen, I have no wish to see such things stretched into a feature-length format. Where is the human drama? Here, there is only melodrama. Where is the character? I see only caricature. To think, the film "Dreamgirls" would most likely have been nominated otherwise. I have developed an appreciation for curvy black women since moving to Los Angeles, especially those who have failed to compete at the highest levels of your televised talent contests.

Perhaps my next film project will pair me with that American film favorite Madea, another voluminous black woman who stirs my blood. This might also have a fair chance of Oscar success, provided a great deal of the picture features she and myself pushing a yellow automobile in hopes of starting the engine.